RIFF Movies Archive

AVALER



France, 2017, 4K - 14:22

DIRECTED BY:
Fabre Marie-Gabrielle

CAST:
Violaine Gillibert

SCREENPLAY:
Fabre Marie-Gabrielle

PHOTOGRAPHY:
Sydney Klasen

EDITING:
Marie-Gabrielle Fabre

MUSIC:
Philippe Monthaye

SOUND:
Thomas Gabriel

PRODUCER:
Marie-Gabrielle Fabre

PRODUCTION:
THE

STORY DESCRIPTION:

AVALER is a short movie taking place at the end of summer in a seemingly calm Parisian bourgeois apartment, a few of days before September starts. Alexandra, a young mom, interrupts her daily busy life to lunch with her mum, Françoise, recently injured, and Pauline, her young daughter. Gathering three generations of women under one roof AVALER is the story of the filial feelings that intertwine, connect and separate, Francoise, Alexandra and Pauline and make them only exist in the trap of the other one.
DIRECTOR BIOGRAPHICAL NOTE:

Born in 1987 in Paris she studies at the Ateliers de Sevres in Paris after which she spends three-years studying contemporary creation at the Villa Arson in Nice. She completes her academic studies by a Master Degree at the Central St Martins School in London. At first drawn to painting and drawing she gets interested into video and scenario’s writing further after these years. Initially working on several video projects such as commercials, short movies she was successfully production assistant and then production director in several musical and commercial short movies. At the same time she keeps on working on her personal artistic work in different videos projects in which, for Video dance project for instance, she experiments the question of movement in contemporary dancing and gets to show the video in several exhibitions. She writes, produces and creates her first short fiction film Avaler with Catherine Ferran and Violaine Gillibert in the main roles. She is actually extending her artistic projects by focusing on a second short movie untitled Un Repas as much as two documentaries. One is documenting the renewal of the drag queen scene in Paris and the second one focuses on familial cosmogonies. In her artistic work she is interested in the nature of identity bonds as much as on the logical of spectacle.

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